BLTC Press Titles


available for Kindle at Amazon.com


The Worm Ouroboros

E. R. Eddison


Leaves of Grass

Walt Whitman


Some Experiences of an Irish R. M.

Edith Somerville and Martin Ross


The Souls of Black Folk

W. E. B. DuBois


Chips from a German workshop

by Friedrich Max Müller

Excerpt:

LECTURES ON THE SCIENCE OF LANGUAGE. Delivered at the Royal Institution of Great Britain. First scries. Crown Svo, $2.00.

The Same. Second series. With thirty-one illustrations. Crown Svo, $2.00.

LECTURES ON THE SCIENCE OF RELIGION. With Papers on Buddhism, and a Translation of the Dhammapada, or Path of Virtue. Crown Svo, fi.co.

LECTURES ON THE ORIGIN ANO GROWTH OF RELIGION, as Illustrated by the Religions of India. Hiedert Lectures Por I8i*. Crown Svo, fa.50.

BIOGRAPHICAL ESSAYS: Rammohum Roy — Keshub Chunder Ssn — Dayananda Sarasvati — Bunyiu Nanjio — Kenjiu Kasawara — Mohl — Kingsley. Crown Svo, f2.00.

THE GERMAN CLASSICS From the Fourth 10 the Nineteenth Century. With Biographical Notices, Translations into Modern German and Notes. A new edition, revised, enlarged, and adapted to William Sherer's " History of German Literature." By F. Lichtenstein. 2 vols. tamo, $6,oo, net.

CHARLES SCRIBNER'S SONS,
New York.

PREFACE.

More than twenty years have passed shite my revered friend Bunsen called me one day into his library at Carlton House Terrace, and announced to me with beaming eyes that the publication of the Rig-veda was secure. He had spent many days in seeing the Directors of the East India Company, and explaining to them the importance of this work, and the necessity of having it published in England. At last his efforts had been successful, the funds for printing my edition of the text and commentary of the Sacred Hymns of the Brahmans had been granted, and Bunsen was the first to announce to me the happy result of his literary diplomacy. " Now," he said, " you have got a work for life — a large block that will take years to plane and polish. But mind," he added, " let us have from time to time some chips from your workshop."

I have tried to follow the advice of my departed friend, and I have published almost every year a few articles on such subjects as had engaged my attention, while prosecuting at the same time, as far as altered circumstances would allow, my edition of the Rig-veda, and of other Sanskrit works connected with it. These articles were chiefly published in the " Edinburgh " and "Quarterly" Reviews, in the "Oxford Essays," and " Macmillan's " and " Eraser's" Magazines, in the "Saturday Review," and in the " Times." In writing them my principal endeavor has been to bring out even in the most abstruse subjects the points of real interest that ought to engage the attention of the public at large, and never to leave a dark nook or corner without attempting to sweep away the cobwebs of false learning, and let in the light of real knowledge. Here, too, I owe much to Bunsen's advice; and when last year I saw in Cornwall the large heaps of copper ore piled up around the mines, like so many heaps of rubbish, while the poor people were asking for coppers to buy bread, I frequently thought of Bunsen's words, " Your work is not finished when you have brought the ore from the mine : it must be sifted, smelted, refined and coined before it can be of real use, and contribute towards the intellectual food of mankind." I can hardly hope that in this my endeavor to be clear and plain, to follow the threads of every thought to the very ends, and to place the web of every argument clearly and fully before my readers, I have always been successful. Several of the subjects treated in these essays are, no doubt, obscure and difficult: but there is no subject, I believe, in the whole realm of human knowledge, that cannot be rendered clear and intelligibie, if we ourselves have perfectly mastered it. And now while the two last volumes of my edition of the Rig-veda are passing through the press, I thought the time had come for gathering up a few armfuls of these chips and splinters, throwing away what seemed worthless, and putting the rest into some kind of shape, in order to clear my workshop for other work.


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